Come unto me.
(1/2). (SATB/organ).
2002. 3'
For the special gifts you give us.
(1/2). (SATB/organ). 2003. 3'
O love that will not let me go.
(2). SATB a cappella). 2001. 5'
Nunc dimittis. (2).
(SATB or SATB/organ). 2004. 6'
Telling God's
story.
(2). (SATB/organ). 2005. 5'
For God so loved the
world. (2). (SSAA or
SATB/piano). 1995. 4'
Lament for Bobby Shafto. (2).
(SSAA/piano). 1987. 5'
The Peace of God
(2/3). (SATB /Piano). 2008. 5'
In Remote Places
(2/3). (SATB /Organ). 2007. 5'
Missa Brevis. (2/3). (SATB/piano).
2005. 26' (each movement available
separately). Kyrie 4' Gloria 5'
Credo 9' , Sanctus
5', Agnus Dei 3'
Agnus Dei. (2/3).
(SATB/string quintet). 1998. 8'
Praise
Father, Son and Holy Ghost. (2/3).
(SATB/Organ). 2007. 5'
Mary's Lullaby. (2/3).
(SATB/Piano). 2003. 5'
Thanks be to thee. (3).
(SATB/organ). 2002. 10'
O Virgo virginum.
(3). (SATB /brass
quintet-optional tubular bell). 2002. 10'
Who killed cock robin?
(3). (SATB/string
quartet). 1991. 12'
Songs of Love. (3).
(SATB/wind ensemble). 1985. 12'
To His Love. (3).
(Baritone/Piano). 2007. 3'
.
Come unto me
A setting of the biblical text from Matthew Ch.10. Ideal for either a
concert of worship occasion.
Back to top
For the special gifts you give us
The text is by the composer and is based on 1 Corinthians. Ch.12. It has
a simple part for either a male or female soloist or a treble or mixed
singing group. Originally used as an induction anthem, but suitable for
general worship or concert.
Back to top
O Love That Will Not Let Me Go
A new setting of the well known hymn text by George Matheson.
Back to top
Nunc dimittis
A dramatic setting of this much used text. All parts divide towards the
end of the work.
Back to top
Telling
God's story
Although the original text written by Liz Griffiths and Rosemary
Lain-Priestly makes this an ideal Christmas anthem, the broader theme
gives the opportunity to include it in general worship or a concert
setting.
Back to top
For God so loved the world.
A simple setting of this well known text. Ideal for either a concert or
a service.
Back to top
Lament for Bobby Shafto
Dramatically combines two well known folk songs (Early one morning and
Bobby Shafto) to create a little musical scene.
Back to top
The Peace of God
This piece was awarded the 1st prize in the USA's Vanguard Voices
choral composition competition. After a subdued opening the mood gradually changes to one of jubilation
before closing in calm assurance.
Back to top
In Remote Places
Instead of depicting the exuberant and communal aspect of the new years
celebrations, this piece focuses on a more solitary scene in which the new
year passes unobserved across a deserted landscape. There are some
divisions in the tenor and bass parts.
Back to top
Missa Brevis
Ideal concert piece for a community or university choir. The Gloria and
Sanctus uses some gospel style music and the Credo incorporates
some dramatic word painting. Each of the movements can be performed as separate
pieces.
Back to top
Agnus Dei
A very colourful setting of this mass movement.
Back to top
Praise Father, Son
and Holy Ghost.
A celebration of the Holy Trinity for use either in a service or a
concert.
Back to top
Mary's Lullaby.
A possible lullaby/lament sung by Mary the mother of Jesus to her baby,
foretelling the future.
Back to top
Thanks be to thee
An extended anthem setting of the famous Richard of Chichester
"Day by day" prayer.
Back to top
O Virgo virginum
A Sarum plainchant is used as a starting point for a series of dramatic
developments culminating in a final section in which there is multiple
dividing as the singers gradually move off stage and the music subsides
into silence. The piece uses a soprano soloist drawn from the choir.
Back to top
Who killed cock robin?
This well known children's song is transformed into a dramatic, almost
operatic scene.
Back to top
Songs of Love
A
number of poems from James Joyce's Chamber Music collection are
linked together to form a continuous cycle depicting various and
contrasting aspects of love.
Back to top
To His Love.
A
short, dramatic setting of the poem by Ivor Gurney.
Back to top